Registration number
Af1932,1205.2
Institution
British Museum
Edo designations
English designations
Pendant Mask
Wax Model
Categories
Casting Materials
Location
Great Russell St, Bloomsbury, London WC1B 3DG, United Kingdom
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Iconographies

3 annotations
Udahae
Beaded forehead band

The Udahae is a forehead band made from coral beads and worn by chiefs. Sometimes a white Igan (feather) from the Oɛɣohɔ (vulturine fish eagle) is tucked into the left side of the Udahae. According to Benin oral tradition, the Udahae was introduced by Ọba Ezoti, the first son of Ọba Ewuare I. During his coronation, Ezoti was shot in the forehead with a poisoned arrow. To stop the bleeding, a band of red beads was wrapped around his forehead while he made public appearances. Fourteen days later, he died from his wound. Since then, Benin chiefs have worn the red-beaded Udahae around their foreheads to commemorate the cap used by Ezoti to stop the bleeding (Egharevba 1968, p. 21).

1 annotation
Udahae
Ewi
Mudfish

Depictions of Ewi (mudfish) are among the most frequent motifs in the Emwin Arhe (royal treasures). Mudfish hold an important place in Edo belief, both as representations of the god Olokun and as symbols of royalty (Plankensteiner 2007, p. 410), as well as of “prosperity, peace, well-being and fertility” (Ben-Amos 1976, p. 245). Mudfish are also particularly common animals for sacrifice, and mudfish-shaped Orhiẹvbẹ (kola-nut boxes) were used to make offerings or store kola nuts.

Yet, the appearance of Ewi across the Emwin Arhe is not consistent, and it has been argued that different species of mudfish were depicted by Edo artists, each with different qualities and capabilities. For example, the electric shock of Malapterurus electricus resembles the fierceness of the Ọba, while the liminal qualities of the Synodontis clarias mudfish, which lives both on land and in water, similarly reflect the Ọba’s rule over land and sea (Gallagher 1983, p. 93). With these different qualities in mind, the mudfish is an important symbol of Benin kingship and royalty.

Sometimes the Ọba was depicted by artists with mudfish rather than legs (see Ọba with Mudfish Legs).

1 annotation
Ewi
Ititi ako
Star beads

The Ititi ako is a cluster of coral beads, usually three or four, attached to a pin and used to embellish the royal crowns on Uhunmwu-Elao (commemorative heads) and Uhunmwu-Ẹkuẹ (pendant masks). These bead clusters are also known as star beads, which indicate the prosperous destiny of an individual or wearer. Apart from enhancing the appearance of the wearer, they also represent the individual’s high social status. Judging from their presence on a variety of head sculptures, both men and women wore Ititi ako.

1 annotation
Ititi ako

Provenance

4 events
Commission
January 30, 1931
The object was commissioned by Unknown member(s) of the Igun-Ẹrọnmwọn guild from Percy Horace Gordon Powell-Cotton through Alfred Holt and Company and Harry Maddocks in Benin City.
Donation
December 5, 1932
The object was donated by Percy Horace Gordon Powell-Cotton to the British Museum with its destination in London.
Exhibition
1970 to 1973
The object was exhibited at London.
Exhibition
February 1, 1991 to April 30, 1991
The object was exhibited at Norwich.

Institution data

British Museum
The data was transferred directly by the institution.
Last updated: 2025-06-10
Language: english
Institution fieldValue
Registration number
object id
Af1932,1205.2
PRN
object id
EAF17132
Object Type
designation
mask-mould
Description
description
Mould; made of fired clay, modelled in wax on front in form of human face. Part of lost-wax casting series showing manufacture of pendant mask.
Ethnic name (made by)
ethnic attribution
Edo
Date
1931-1932 (?)
Production place
production place
Made in: Benin City
Findspot
place collected
Found/Acquired: Benin City
Materials
material
wax ~fired clay
Technique
production technique
hand-modelled
Dimensions
dimensions
Height: 20.50 cm~Width: 14.00 cm~Depth: 7.00 cm
Curator’s comments
provenance
This mould with wax modelling is part of series showing process of lost-wax casting. See Collection File: Af1932,1205.1-7.
Exhibition history
exhibition history
Exhibited: 1970-1973, London, Museum of Mankind, Divine Kingship in Africa 1991 Feb-Apr, Norwich, Sainsbury Centre for Visual Arts, Man and Metal in Ancient Nigeria
Condition
condition
Fair; section of wax modelling missing at top left proper of flange. Mudfish missing from right proper on flange; head of mudfish missing from one mudfish. Some repairs to wax elements on headdress.
Acquisition name (acquisition)
provenance
Major P H G Powell-Cotton
Acquisition name (excavator)
provenance
Field Collection by: Major P H G Powell-Cotton
Acquisition date
accession date
1932.0
Acquisition notes (excavation)
provenance
Major Percy Powell-Cotton travelled to Benin City at the start of his second to Cameroon in January 1931. While there he visited the brass casters and filmed the process of lost-wax casting. It appears that Major Powell-Cotton subsequently commissioned two series of lost-wax castings via the shipping agents Holt's (possibly through Holt's agent, Harry Maddocks, who was based in Benin City). This set Af1932,1205.1-7 was donated to the Museum in 1932; the other set (acc.nos. ETH CAM2.955-971) remains at the Powell-Cotton Museum in Birchington-on-Sea, Kent.
Sensitive Content

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