ObjectNumber_Original
VO_64790
Institution
Weltmuseum Wien
Edo designations
English designations
Female Figure
Categories
Figures
Location
Heldenplatz, 1010 Wien, Austria
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Female Figure
Female Figure
Female Figure
Female Figure
Female Figure
Female Figure

Iconographies

3 annotations
hairstyles
Eto
hairstyles

Hairstyles are used to determine a person's status in the society, as chiefs, common folks, chief's wives and the wives of the Ọba all wear different hairstyles. We have Okuku, Ikpe~okhokho, Idu~akpata

1 annotation
Eto
tribal marks
Iwu
Facial and Body Markings

Iwu are facial and body markings (scarifications) that were historically worn by Edo men and women. However, since the 1960s, the practice has been nearly extinct (Aisien 2011). In the past, Iwu were used as a way of proving that one was an Edo citizen, and the ceremony of having Iwu completed was an important rite of passage for men and women. The Osiwu, who also practised circumcision and other surgical procedures, would carry out the procedure of adding Iwu. There are different types of Iwu: ‘blades’ worn on the torso (Iwu-eko), and those worn on the face, such as Ikharo (three or four markings above the eyebrows), Irho (two narrow ‘blades’ worn on each cheek), Ovbihue (nasal ‘blades’), Ovbi-agbanmwen (chin ‘blade’), and Igho-okpa/Ukpgho (three forehead ‘blades’) (Aisien 2011, p. 22).

The number of Iwu also varied depending on the identity of the person wearing them. For example, royal men would wear six ‘blades’ on their torso, whilst men who were not royal would wear seven ‘blades’. Meanwhile, the Ọba’s female children would wear fifteen ‘blades’, and all other women would wear sixteen (Aisien 2011).

1 annotation
Iwu
Ikharo
Forehead markings

Ikharo are linear keloid markings depicted on the forehead of Uhunmwu-Elao (commemorative heads) in groups of three or four above each eye. The exact meaning of Ikharo is debated; some have argued that they relate to the gender or tribal identification of the person on whom they are depicted. For example, has argued that they were worn only by men; however, their use in depictions is not consistent with this, and the Iy’Ọba are also shown wearing them. argued that they are instead a stylistic feature employed by artists that varied over time.

The naming of these markings differs between publications. For example, describe these markings as “agbaguda n'ehae”, which they write translates literally as “blades of the forehead”. However, later went on to call these “ikharo”, as used here. referred to these forehead markings as ikharo, meaning “tribal mark [of eye]”.

1 annotation
Ikharo

Provenance

5 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igbesamwan guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to 1899
The object is known to have come into contact with Wilhelm Albert Maschmann, in Benin City and later Lagos.
Transfer
February 22, 1897 (day approximate) to 1898
The object was transferred from Wilhelm Albert Maschmann from Lagos to Hamburg.
Purchase
1899
The object was purchased by the Weltmuseum Wien from Wilhelm Albert Maschmann from Hamburg to Vienna.

Related archival documents

1 documents
See all
An archival document representing a Inventories of 1 page(s)
InventoryAccession Record
Weltmuseum Wien
Inventory book - objects

Institution data

Weltmuseum Wien
The data was transferred directly by the institution.
Last updated: 2022-05-24
Languages: german, english
Institution fieldValue
ObjectNumber_Original
object id
VO_64790
NativeTitle
edo designation
TextEntry
description
Diese Kniende weibliche Figur ist Teil der historischen Sammlungen aus dem Königreich Benin im heutigen Nigeria. 1897 wurde das Königreich erobert und dessen Oba (König) Ovonramwen ins Exil verbannt. Die aus dem Königspalast geraubten Kunstschätze wurden
Medium
material
Elfenbein
Medium_en
material
Ivory
ObjectName
object type
Kniende weibliche Figur
ObjectName_en
object type
Kneeling Female Figure
DateBegin
date made
DateEnd
date made
Dated
date made
Dated_en
date made
Period
date made
Term
production place
Afrika südlich der Sahara
Term2
production place
West-Afrika
Term3
production place
Nigeria
Term4
production place
Benin
Thesaurus
production place
Afrika südlich der Sahara/West-Afrika/Nigeria/Benin
Provenance
provenance
Role_person
provenance
Sammlung-Collection-Wilhelm Albert Maschmann|
Culture
ethnic attribution
Edo, Benin Königreich
Culture_en
ethnic attribution
Edo, Benin Kingdom
CreditLine
department and institution
Weltmuseum Wien
Department
department and institution
MVK Objekte - Afrika südlich der Sahara
Zugangsdatum
accession date
1899
LocationString
display status
FileName
images
VO_64790_S1.jpg|VIO_1899_64785.jpg|VO_64790_VS.jpg|
PrimaryImage
images
VO_64790_VS.jpg
Classification
||
DepartmentID
35
Department_cut
Afrika südlich der Sahara
DisplayOrder
|
Last_Modified
2021-12-06 08:15:34
LocationID
ObjectID
441065
ObjectNumber
64790
PublicAccess
1
SortNumber
VO 64790
TextDate_en
|
TextEntryHTML
Diese Kniende weibliche Figur ist Teil der historischen Sammlungen aus dem Königreich Benin im heutigen Nigeria. 1897 wurde das Königreich erobert und dessen Oba (König) Ovonramwen ins Exil verbannt. Die aus dem Königspalast geraubten Kunstschätze wurden
TextEntryHTML_en
This Kneeling Female Figure is part of the historical collections from the Benin Kingdom, in present-day Nigeria. In 1897, the kingdom was conquered and Oba (king) Ovonramwen banned into exile. The loot from the royal palace was then sold through the art
TextEntry_en
This Kneeling Female Figure is part of the historical collections from the Benin Kingdom, in present-day Nigeria. In 1897, the kingdom was conquered and Oba (king) Ovonramwen banned into exile. The loot from the royal palace was then sold through the art
cxrDisplayOrder
1|
Sensitive Content

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