ObjectNumber_Original
VO_64761
Institution
Weltmuseum Wien
Edo designations
English designations
Male Figure
Categories
Figures
Location
Heldenplatz, 1010 Wien, Austria
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Male Figure
Male Figure

Iconographies

3 annotations
Round Neck Bead
Ikele
Coral bead circlet

Ikele is a single stiff string or circlet of coral beads. It is worn by chiefs, such as senior chiefs who have been made Enigie (Inneh 2007, p.107), and is a sign of nobility and rank. The Ikele may only be worn once the Ọba has conferred a person with the right to wear the beads, and the Ikele must always be worn when appearing before the Ọba. According to Ekhaguosa Aisien (in Plankensteiner 2007, cat. nr. 301, p.512) when a chief is wearing the Ikele, they may not eat nor drink in public, and they “constitute an embassy of the Benin Palace wherever he might be.”

1 annotation
Ikele
Ukpọn
Wrapper

Ukpọn is the Edo term for cloth (Aigbe 1985, p. 55; Ọbazee 2025, p. 542) and is used here to refer to the wrappers or kilts worn by many of the figures depicted on the Emwin Arre (royal treasures). The cloth worn around the waist may be plain, but it is more commonly richly decorated with motifs associated with the monarchy, power, and wealth, such as the Ọba'nui (infinity symbol) and Uhunme Ikpotoki (Portuguese heads).

The Benin Kingdom was renowned for its textile production, both for local use and for trade ( ). Within the royal court, members of the Owina n’Ido produced ukhuen cloth for the Ọba and other members of the court, who wore it as wrappers during festivals and ceremonies ( ).

Alongside locally produced textiles, imported cloth was also an important commodity in the Benin Kingdom’s trade networks. Textiles were exchanged with neighbouring production centres, particularly Ijebu ( ), while European traders brought silks, woollens, linens, and cotton from Europe and Asia from the 15th century onwards ( ).

1 annotation
Ukpọn
tribal marks
Iwu
Facial and Body Markings

Iwu are facial and body markings (scarifications) that were historically worn by Edo men and women. However, since the 1960s, the practice has been nearly extinct (Aisien 2011). In the past, Iwu were used as a way of proving that one was an Edo citizen, and the ceremony of having Iwu completed was an important rite of passage for men and women. The Osiwu, who also practised circumcision and other surgical procedures, would carry out the procedure of adding Iwu. There are different types of Iwu: ‘blades’ worn on the torso (Iwu-eko), and those worn on the face, such as Ikharo (three or four markings above the eyebrows), Irho (two narrow ‘blades’ worn on each cheek), Ovbihue (nasal ‘blades’), Ovbi-agbanmwen (chin ‘blade’), and Igho-okpa/Ukpgho (three forehead ‘blades’) (Aisien 2011, p. 22).

The number of Iwu also varied depending on the identity of the person wearing them. For example, royal men would wear six ‘blades’ on their torso, whilst men who were not royal would wear seven ‘blades’. Meanwhile, the Ọba’s female children would wear fifteen ‘blades’, and all other women would wear sixteen (Aisien 2011).

1 annotation
Iwu

Provenance

5 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igbesamwan guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Unknown
February 22, 1897 (day approximate) to 1899
The object is known to have come into contact with Wilhelm Albert Maschmann, in Benin City and later Lagos.
Transfer
February 22, 1897 (day approximate) to 1898
The object was transferred from Wilhelm Albert Maschmann from Lagos to Hamburg.
Purchase
1899
The object was purchased by the Weltmuseum Wien from Wilhelm Albert Maschmann from Hamburg to Vienna.

Related archival documents

1 documents
See all
An archival document representing a Inventories of 1 page(s)
InventoryAccession Record
Weltmuseum Wien
Inventory book - objects

Institution data

Weltmuseum Wien
The data was transferred directly by the institution.
Last updated: 2022-05-24
Languages: german, english
Institution fieldValue
ObjectNumber_Original
object id
VO_64761
NativeTitle
edo designation
TextEntry
description
Diese Figur ist Teil der historischen Sammlungen aus dem Königreich Benin im heutigen Nigeria. 1897 wurde das Königreich erobert und dessen Oba (König) Ovonramwen ins Exil verbannt. Die aus dem Königspalast geraubten Kunstschätze wurden anschließend über
Medium
material
Elfenbein
Medium_en
material
Ivory
ObjectName
object type
Figur
ObjectName_en
object type
Figure
DateBegin
date made
DateEnd
date made
Dated
date made
Dated_en
date made
Period
date made
Term
production place
Afrika südlich der Sahara
Term2
production place
West-Afrika
Term3
production place
Nigeria
Term4
production place
Benin
Thesaurus
production place
Afrika südlich der Sahara/West-Afrika/Nigeria/Benin
Provenance
provenance
Role_person
provenance
Sammlung-Collection-Wilhelm Albert Maschmann|
Culture
ethnic attribution
Edo, Benin Königreich
Culture_en
ethnic attribution
Edo, Benin Kingdom
CreditLine
department and institution
Weltmuseum Wien
Department
department and institution
MVK Objekte - Afrika südlich der Sahara
Zugangsdatum
accession date
1899
LocationString
display status
FileName
images
VO_64761_2_x.jpg|
PrimaryImage
images
VO_64761_2_x.jpg
Classification
||
DepartmentID
35
Department_cut
Afrika südlich der Sahara
DisplayOrder
|
Last_Modified
2021-12-06 08:15:34
LocationID
ObjectID
579482
ObjectNumber
64761
PublicAccess
1
SortNumber
VO 64761
TextDate_en
|
TextEntryHTML
Diese Figur ist Teil der historischen Sammlungen aus dem Königreich Benin im heutigen Nigeria. 1897 wurde das Königreich erobert und dessen Oba (König) Ovonramwen ins Exil verbannt. Die aus dem Königspalast geraubten Kunstschätze wurden anschließend über
TextEntryHTML_en
This Figure is part of the historical collections from the Benin Kingdom, in present-day Nigeria. In 1897, the kingdom was conquered and Oba (king) Ovonramwen banned into exile. The loot from the royal palace was then sold through the art market to financ
TextEntry_en
This Figure is part of the historical collections from the Benin Kingdom, in present-day Nigeria. In 1897, the kingdom was conquered and Oba (king) Ovonramwen banned into exile. The loot from the royal palace was then sold through the art market to financ
cxrDisplayOrder
1|
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