Inventory number
LG1952.32.2
Edo designations
English designations
Pendant Mask
Categories
Ceremonial Regalia
Location
1 Adesogbe (Plymouth) Road, P.M.B. 1115, Benin City , Edo State
Loading...
Pendant Mask
Pendant Mask

Provenance

3 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Auction
June 26, 1952
The object was auctioned to the Omo n'Oba n'Edo Uku Akpolokpolo, Ọba of Benin & National Commission for Museums and Monuments, Nigeria through Sotheby's, Colonial Government of Nigeria and Bernard Evelyn Buller Fagg in London.

Related archival documents

1 documents
See all
An archival document representing a Auction Catalog of 24 page(s)
Auction Catalogue
Metropolitan Museum of Art
Thomas J. Watson Library sales and auction catalogues
Date
June 26, 1952

Institution data

Omo n'Oba n'Edo Uku Akpolokpolo, Ọba of Benin & National Commission for Museums and Monuments, Nigeria
The data was transferred directly by the institution and digitized by Digital Benin in collaboration with the NCMM
Last updated: 2023-11-30
Languages: english, bini; edo
Institution fieldValue
Inventory number
object id
LG1952.32.2
URL
weblink
https://digitalbenin.org/catalogue/37_LG1952322
Object Description
description
Uhunmwu-Ẹkuẹ (pendant masks) is a general term, however each mask has a different name depending on the subject depicted. For example, if an Uhunmwu-Ẹkuẹ depicted Iy’ọba Idia it would be called ‘Uhunmwun-Idia’. Uhunmwu-Ẹkuẹ are one of the best-known categories of Benin artworks. A range of human and animal heads are depicted, hence the term ‘mask’, although they were not used to cover the face. Sometimes known as ‘hip masks’, they may be worn on the belt or hung at the hip as seen cast on relief plaques and in the carved motifs on altar tusks. Many pendant masks have a series of eyelets around the edge of the lower portion, to which small crotal bells were attached, and as the wearer moved they would have chimed. The material – ivory or brass – and the iconography depicted were important factors in who was able to wear the masks and why. For example, leopard-head pendant masks may be worn by warriors and those involved in the military, and ivory masks only by the high-ranking Ezomo or Iyase (Blackmun in Plankensteiner, 2007, p.363). Meanwhile, brass crocodile-head pendant masks were the preserve of the Ọba, and he wore them in a set of three along the front of his belt (Blackmun in Plankensteiner, 2007, p.365). Oftentimes, pendant masks also depict human faces, usually but not always, male. Although scholars do not agree, it has been argued these may depict the Ọba, or perhaps defeated chiefs (Blackmun in Plankensteiner, 2007, pp.358, 362). The faces of Portuguese men are also identifiable by their straight hair and beards, and attest to the importance of relationships between the Benin Kingdom and Portugal in the 16th century. The beautiful Queen Idia pendant masks, carved in ivory and which went on to become emblematic of FESTAC ‘77, are the notable exception to the predominantly male depictions on pendant masks.
Diameter
dimensions
Dimension L (cm)
dimensions
16.0
Dimension W (cm)
dimensions
9.7
Dimension H (cm)
dimensions
5.0
Brief Object Description
designation
Leopard head pendant mask
Material
material
brass
Object Count
object count
1
Date Made
date made
Associated Guild
producer
Igun Ẹrọnmwọn
Production Technique
production technique
Casting
Production Place
production place
Benin City
Inscriptions
inscriptions
Note
Inventory Book Description
Bronze leopard mask from Benin. Purchased by the Nigerian government from Messrs. Sotheby & Co. 34-5 New Bond Street, London, being lots of 24 through M. B.E.B. Fagg, assistant surveyor of antiquities, bought at a sale on 26th of June, 1952. Lots owned by Neville.
fileNames
LG1952322_1.jpg, LG1952322_2.jpg
Sensitive Content

Digital Benin collates digital material from institutions, and some of this material is inherently colonial and contains words, terms and phrases that are inaccurate, derogatory and harmful towards African and African diasporic communities. Catalogue transcriptions, book titles, exhibition titles and museum titles may contain harmful terms. We recognise the potential for the material to cause physical and mental distress as well as evoke strong emotions. Owing to the scale of the collection’s data, a process to implement sensitive-content warnings in the displayed data is still incomplete. The material within the catalogue does not represent Digital Benin’s views. Digital Benin maintains a strong anti-colonial, anti-racist position and affirms its support for centring the humanity of historically marginalised and disenfranchised communities. Read more about the background of this statement here