Odigba (coral-beaded collar) is a rigid neck collar made of coral beads, worn as part of ceremonial attire only by senior princes who have been made Enigie (Inneh 2007, p. 107). Although Ibafe (2007, p. 43) argued that the Odigba was introduced during the Ogiso period (c. 900–c. 1170 AD) by Ogiso Ere, along with other symbolically important Emwin Arhe, such as the Ada (ceremonial sword) and the Ẹbẹn (ceremonial sword), this seems unlikely, as coral was only introduced in the late 15th century through trade with Portuguese merchants.

The Ukpan obọ eva (coral-bead crossed baldrics) were worn as part of the ehaingbehia, the full ceremonial regalia, by only high-ranking members of the palace, including the Ọba himself, the Iy’Ọba, the Edaiken, and the Ezọmọ (Ben-Amos 1999, pp. 68, 141; Osadolor in Plankensteiner 2007, cat. no. 70, pp. 322–323).

Representations of figures, often the Ọba, with an Ukhurhẹ (Ancestral Staff) in their right hand recur in a number of Emwin Arre (royal treasures), particularly those carved in wood as Agba (royal stools), cast in brass as part of Osogan (Osun staffs) and Ikẹgobọ (altars to the hand), and carved in ivory as Aken'ni Elao (carved tusks).

Ukhurhẹ are rattle staffs, usually made from wood, although brass examples are believed to have been owned by the Ọba. Ukhurhẹ were, and continue to be, commissioned when the paternal head of a family passes away as a way of commemorating them ( ). Following a ceremony in which they are installed on the family’s ancestral altar, Ukhurhẹ are typically lined up against the back of the altar and are used to communicate with ancestors and the spirit world. When depicted on the Emwin Arhe, Ukhurhẹ are usually held in the right hand of the Ọba, while an Ughavan (celts) is carried in his left hand.