Object Number
1978.412.302
Edo designations
English designations
Female Figure
Categories
Figures
Location
1000 5th Ave, New York, NY 10028, United States
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Female Figure
Female Figure

Iconographies

6 annotations
tribal marks
Iwu
Facial and Body Markings

Iwu are facial and body markings (scarifications) that were historically worn by Edo men and women. However, since the 1960s, the practice has been nearly extinct (Aisien 2011). In the past, Iwu were used as a way of proving that one was an Edo citizen, and the ceremony of having Iwu completed was an important rite of passage for men and women. The Osiwu, who also practised circumcision and other surgical procedures, would carry out the procedure of adding Iwu. There are different types of Iwu: ‘blades’ worn on the torso (Iwu-eko), and those worn on the face, such as Ikharo (three or four markings above the eyebrows), Irho (two narrow ‘blades’ worn on each cheek), Ovbihue (nasal ‘blades’), Ovbi-agbanmwen (chin ‘blade’), and Igho-okpa/Ukpgho (three forehead ‘blades’) (Aisien 2011, p. 22).

The number of Iwu also varied depending on the identity of the person wearing them. For example, royal men would wear six ‘blades’ on their torso, whilst men who were not royal would wear seven ‘blades’. Meanwhile, the Ọba’s female children would wear fifteen ‘blades’, and all other women would wear sixteen (Aisien 2011).

1 annotation
Iwu
Iviawẹ
Stacked Beaded Anklet

Ọba gha ye Ivie gie ọwan, ẹ ghi tama rẹn ehe nọ gha bae yi (When the Ọba gifts you a bead, he doesn’t tell you how to wear it) (Daniel Inneh, pers. comm., 27 September 2025).

Iviawẹ (also spelled ĺvîowẹ) are coral-beaded anklets, often worn stacked together (Aigbe 1985, p. 28; Okpokunu, Agbontaen-Eghafona & Ojo 2005, p. 162; Ọbazee 2025, p. 279). Many of the figures depicted on the Emwin Arhe (royal treasures) in brass, bronze, ivory, and wood are shown wearing these. According to Daniel Inneh (pers. comm., 27 September 2025), beads were sent to people whom the Ọba wished to honour, although there was no directive on how to wear them.

Mostly, people who wear Iviawẹ are identified as palace chiefs or priests and priestesses. However, today anyone can wear them as cultural identifiers or fashion pieces.

1 annotation
Iviawẹ
hairstyles
Eto
hairstyles

Hairstyles are used to determine a person's status in the society, as chiefs, common folks, chief's wives and the wives of the Ọba all wear different hairstyles. We have Okuku, Ikpe~okhokho, Idu~akpata

1 annotation
Eto
Ikharo
Forehead markings

Ikharo are linear keloid markings depicted on the forehead of Uhunmwu-Elao (commemorative heads) in groups of three or four above each eye. The exact meaning of Ikharo is debated; some have argued that they relate to the gender or tribal identification of the person on whom they are depicted. For example, has argued that they were worn only by men; however, their use in depictions is not consistent with this, and the Iy’Ọba are also shown wearing them. argued that they are instead a stylistic feature employed by artists that varied over time.

The naming of these markings differs between publications. For example, describe these markings as “agbaguda n'ehae”, which they write translates literally as “blades of the forehead”. However, later went on to call these “ikharo”, as used here. referred to these forehead markings as ikharo, meaning “tribal mark [of eye]”.

1 annotation
Ikharo
Round Neck Bead
Ikele
Coral bead circlet

Ikele is a single stiff string or circlet of coral beads. It is worn by chiefs, such as senior chiefs who have been made Enigie (Inneh 2007, p.107), and is a sign of nobility and rank. The Ikele may only be worn once the Ọba has conferred a person with the right to wear the beads, and the Ikele must always be worn when appearing before the Ọba. According to Ekhaguosa Aisien (in Plankensteiner 2007, cat. nr. 301, p.512) when a chief is wearing the Ikele, they may not eat nor drink in public, and they “constitute an embassy of the Benin Palace wherever he might be.”

1 annotation
Ikele
Àkpólú
Waist beads

Àkpólú, also spelt Àkpólo, are strings of coral beads worn around the lower waist or hips by women and girls ( ; Ọbazee 2025, p. 23). Before colonial rule in the Benin Kingdom, children were traditionally not permitted to wear clothing until the Ọba gave them cloth to wear; the Àkpólú was an exception to this practice, allowing children to wear these coral bead strands around the waist ( ).

1 annotation
Àkpólú

Provenance

9 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igbesamwan guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Purchase
1928 (approximate) to 1951
The object was purchased by Sydney Bernard Burney with its destination in London.
Purchase
1928 (approximate) to 1951
The object was purchased by Werner Muensterberger from Sydney Bernard Burney and Sydney Burney Gallery in London.
Purchase
1939 to 1951
The object was purchased by Julius Carlebach from Werner Muensterberger.
Purchase
1951
The object was purchased by Nelson Aldrich Rockefeller from Julius Carlebach and Julius Carlebach Gallery in New York City.
Loan
1957 to 1972
The object was loaned by Nelson Aldrich Rockefeller to New York Museum of Primitive Arts in New York City.
Gift
1972
The object was given as a gift by Nelson Aldrich Rockefeller to New York Museum of Primitive Arts in New York City.
Transfer
1978
The object was transferred from New York Museum of Primitive Arts to the Metropolitan Museum of Art in New York City.

Institution data

Metropolitan Museum of Art
The data was transferred directly by the institution.
Last updated: 2021-07-30
Language: english
Institution fieldValue
Object Number
object id
1978.412.302
Object Sort Number
object id
1978 412 302
Primary Rendition No
object id
DT5117
Title
designation
object type
Figure: Female
Medium
material
Ivory, metal
Dimensions
dimensions
H. 13 x W. 3 7/8 x D. 3 5/8 in. (33 x 9.9 x 9.2 cm)
Classification
object type
Bone/Ivory-Sculpture
Date
date made
18th century
Geo: City
production place
Court of Benin
Geo: Country
production place
Nigeria
Credit Line
prior source
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1972
Provenance
provenance
[Sydney Burney Gallery, London]; Werner Muensterberger, New York and London; [Julius Carlebach Gallery, New York, until 1951]; Nelson A. Rockefeller, New York, 1951, on loan to The Museum of Art, New York, 1957–1972; The Museum of Art, New York, 1972–1978
Dynasty
reign associated name
Oranmiyan
Culture
ethnic attribution
Edo peoples
ExhibitionHistory
exhibition history
Sculpture from the Collection of Nelson A.Rockefeller Century Association, January 7, 1953–March 1,1953 Selected Works from the Collection (sculpture in wood/works invarious media) Museum of Art, May 29, 1957–October 20,1957 Works from the Permanent Collection Museum of Art, September 21, 1960–May 5,1961 Techniques and Materials of Art Museum of Art, July 22, 1966–October 23,1966 Art of Oceania, Africa and the Americas from The Museum of Art The Metropolitan Museum of Art, May 10, 1969–August 17,1969 Sculpture of : Nigeria &Cameroon The Metropolitan Museum of Art, June 23, 1971–March 19,1972 Art/Masterworks Seattle Art Museum, January 5, 1975–February 16,1975 Museum of Fine Arts, Houston, March 23, 1975–May 4,1975 Dallas Museum of Art, June 8, 1975–July 20,1975 Art Institute of Chicago, August 25, 1975–October 10,1975 Virginia Museum of Fine Arts, November 9, 1975–December 21,1975 Toledo Museum of Art, April 11, 1976–May 25,1976 Walker Art Center, June 27, 1976–August 8, 1976 Denver Art Museum, September 10, 1976–November 7,1976 de Young Museum, Fine Arts Museums of San Francisco, March 12,1977–May 15, 1977 African Ivories The Metropolitan Museum of Art, June 26, 1984–December 30,1984 Elephant: The Animal and Its Ivory in AfricanArt The Metropolitan Museum of Art, October 13, 1993–March 27,1994
Bibliography
bibliography
American Federation of Arts. Art Masterworks: an exhibition jointly organized by the Museum of Art and the American Federation of Arts, New York. New York: American Federation of Arts, 1974, no. 76. The Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Art. New York: The Metropolitan Museum of Art, 1969, no. 379. Newton, Douglas. Masterpieces of Art: The Nelson A. Rockefeller Collection. New York: Alfred A. Knopf, 1978, p. 108. Ross, Doran H. Elephant: The Animal and Its Ivory in African Culture. Los Angeles: Fowler Museum of Cultural History, 1992.
Published References
bibliography
Nancy Cunard, , London 1954, no. 668. MPA 1957, Selected Works, pl. 22.
Sensitive Content

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