Object id
999.42.33929
Institution
Hood Museum of Art
Edo designations
English designations
Pendant Mask
Categories
Ceremonial Regalia
Location
Hood Museum of Art Dartmouth 6 E Wheelock St, Hanover, NH 03755, USA
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Pendant Mask
Pendant Mask
Pendant Mask

Iconographies

3 annotations
Udahae
Beaded forehead band

The Udahae is a forehead band made from coral beads and worn by chiefs. Sometimes a white Igan (feather) from the Oɛɣohɔ (vulturine fish eagle) is tucked into the left side of the Udahae. According to Benin oral tradition, the Udahae was introduced by Ọba Ezoti, the first son of Ọba Ewuare I. During his coronation, Ezoti was shot in the forehead with a poisoned arrow. To stop the bleeding, a band of red beads was wrapped around his forehead while he made public appearances. Fourteen days later, he died from his wound. Since then, Benin chiefs have worn the red-beaded Udahae around their foreheads to commemorate the cap used by Ezoti to stop the bleeding (Egharevba 1968, p. 21).

1 annotation
Udahae
Ititi ako
Star beads

The Ititi ako is a cluster of coral beads, usually three or four, attached to a pin and used to embellish the royal crowns on Uhunmwu-Elao (commemorative heads) and Uhunmwu-Ẹkuẹ (pendant masks). These bead clusters are also known as star beads, which indicate the prosperous destiny of an individual or wearer. Apart from enhancing the appearance of the wearer, they also represent the individual’s high social status. Judging from their presence on a variety of head sculptures, both men and women wore Ititi ako.

1 annotation
Ititi ako
Ikharo
Forehead markings

Ikharo are linear keloid markings depicted on the forehead of Uhunmwu-Elao (commemorative heads) in groups of three or four above each eye. The exact meaning of Ikharo is debated; some have argued that they relate to the gender or tribal identification of the person on whom they are depicted. For example, has argued that they were worn only by men; however, their use in depictions is not consistent with this, and the Iy’Ọba are also shown wearing them. argued that they are instead a stylistic feature employed by artists that varied over time.

The naming of these markings differs between publications. For example, describe these markings as “agbaguda n'ehae”, which they write translates literally as “blades of the forehead”. However, later went on to call these “ikharo”, as used here. referred to these forehead markings as ikharo, meaning “tribal mark [of eye]”.

1 annotation
Ikharo

Provenance

10 events
Production
unknown to February 22, 1897 (day approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 22, 1897 (day approximate) to June 1899 (year approximate)
The object was looted by Unknown member of the British colonial military campaign on Benin - February 1897 from Benin Kingdom.
Purchase
February 22, 1897 (day approximate) to 1900
The object was purchased by Augustus Henry Pitt-Rivers (Lane Fox) and Farnham Pitt-Rivers Museum with its destination in Farnham.
Unknown
1949 (approximate) to 1980
The object is known to have come into contact with Kenneth John Hewett and Farnham Pitt-Rivers Museum, in Farnham and later London.
Unknown
1958 (approximate) to 1980s
The object is known to have come into contact with Merton Daniel Simpson and Kenneth John Hewett, in London and later New York City.
Unknown
1958 (approximate) to 1990
The object is known to have come into contact with Merton Daniel Simpson, Merton D. Simpson Gallery and Donald Morris, in New York City and later Detroit.
Purchase
1958 (approximate) to 1999
The object was purchased by Judith & Robert Weston from Donald Morris and Donald Morris Gallery in Detroit.
Unknown
1958 (approximate) to 1999
The object is known to have come into contact with Julian Kaplin, later in Toledo.
Unknown
1958 (approximate) to 1999
The object is known to have come into contact with Donald Morris, in Toledo and later New York City.
Purchase
1999
The object was purchased by the Hood Museum of Art from Donald Morris and Donald Morris Gallery from New York City to Hanover.

Institution data

Hood Museum of Art
The data was retrieved from the institution’s website.
Last updated: 2026-02-09
Language: english
Institution fieldValue
object id
999.42.33929
producer
Unidentified Edo maker
description
Hip Ornament Representing the Head of a Benin Court Official
date made
attributed to the early 18th century
material
Brass and iron
dimensions
Overall: 8 in. (20.3 cm)
accession method
Hood Museum of Art, Dartmouth: Purchased through gifts from the Lathrop Fellows
Geography
place collected
Site Looted: Kingdom of Benin, Nigeria, Western Africa, Africa
Period
date made
1600-1800
Object Name
designation
Ceremonial Artifact: Mask
Research Area
Africa
Course History
"SART 65, Architecture I, Zenovia Toloudi, Spring 2015 French Living and Learning Center, Loic Lerme, Fall 2021 HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022 HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022 HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022 GERM 13.01, Beyond Good and Evil, Veronika Fuechtner, Fall 2022 Art History 63.02, Why Are Museums...?, Mary Coffey, Winter 2023 Philosophy 23.01, Ethics and the Arts, Kenneth Walden, Winter 2023 Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023 History 10.02, Archival Research, M. Cecillia Gaposchkin, Summer 2023 Art History 63.13, Bad Art!, Katie Hornstein, Summer 2023 Philosophy 23.01, Ethics and the Arts, Kenneth Walden, Fall 2023 History 10.02, Archival Research and the Production of History, Leslie Butler, Summer 2024 Art History 63.13, Bad Art!, Katie Hornstein, Summer 2025 History 10.02, Archival Research, Julia Rabig, Summer 2025"
Exhibition History
exhibition history
Art That Lives? Exploring Figural Art from Africa, Allvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 25, 2009-July 2010. Introduction to the History of Art II, 1500 to present, Harrington Gallery Teaching Exhibition, ArtH2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 24-March 14, 2004. Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 15, 1999- August 1, 2000. The Beauty of the Bronze: Selections from the Hood Museum of Art, Gene Y. Kim Class of 1985 Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 13, 2012-March 18, 2014. Works from the Continent of Africa, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-March 15, 2020.
Publication History
bibliography
General Pitt-Rivers, Antique Works of Art from Benin, first published in London, 1900 (privately printed), reprinted by Hacker Art Books, Inc., New York, 1971, ill. p. 42, fig. 126-127. Barbara Thompson, "The African Collection at the Hood Museum of Art," African Arts, Volume XXXVII, No. 2, Los Angeles: African Studies Center, University of California, 2004, ill. p. 28. Alexander Bortolot, Art That Lives? Exploring Figural Art from Africa, Hood Mueum of Art, Hanover: Trustees of Dartmouth College, 2009, ill. p. 5, p. 20, no. 14. John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 96, ill. plate no. 27.
Provenance
provenance
Looted by the British Punitive , in 1897; Pitt-River Museum, Farnham, Dorset, England; John Hewitt, England; Merton Simpson Gallery, New York; Donald Morris Gallery, Detroit, Michigan; Robert and Judith Weston, Detroit; Julian Kaplin, Toledo, Ohio; Estate of Julian Kaplin, Toledo, Ohio; Donald Morris Gallery, Inc., New York, New York, sold to present collection, 1999.
Sensitive Content

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